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越剧《琵琶记》与南戏《琵琶记》

时间:2021-09-01 来源:未知 编辑:梦想论文 阅读:
Abstract: Zhao Wuniang is Southern Drama "Pipa" in the main female characters, drama, Pipa and Nanxi Pipa in shaping the image of women there is a big difference. Shaoxing opera "Pipa" Nanxi "Pipa" Zhao Wuniang "the filial woman" and "jour" synchronic coexistence of the image points of the period of performance. From the female image, Shaoxing opera "Pipa" plays "Pipa" adaptation of gains and losses.
 
Keywords: Zhao Wuniang; image; adaptation
 
I. Introduction
 
Shaoxing opera "Pipa Ji" is Zhejiang small flowers Yueju Opera Troupe in a drama performances in 1999, by cooperation with Tan Zhixiang Guo Hancheng adapted from Southern Drama "Pipa". "The legend of the" made by the "legend" is known as the legend of the ancestors, is the ancient Chinese opera in the classic.
 
Zhao Wuniang play is the main female characters, comparative drama PIPAJI and Southern Drama "Pipa", the author thinks that in shaping the image of the woman, drama, Pipa and Nanxi pipa. There is a big difference between. In shaping the image of Zhao Wuniang, Nanxi "Pipa" will be "the filial woman" and "jour" appear at the same time in front of the audience and Shaoxing opera "Pipa", "Xiao Fu" and "jour" divided period out.
 
Two, Zhao Wuniang image adaptation
 
Zhao Wuniang is a typical Xiaofuhe wife shaping the Chinese ancient drama in. Worthy of note is that Southern Drama of the pipa, the order is five niangs appealed to parents quarrel; CAI buries injustice five niangs, five niangs eat bran, adopts the line structure, and to him in Beijing for clues of the story interspersed. Shaoxing opera "Pipa" in the sequence of scenes of the South drama PIPAJI adjusted, five niangs eat bran; CAI wronged five niangs; appealed to parents quarrel this a few scenes in order to concentrated focus on the performance of Zhao Wuniang Xiaofu wife image and to take filial piety Palmer and five niangs Bo Jie phase will these two scenarios, the splendid performance, mainly Zhao Wuniang "jour" image.
 
In the drama of "Pipa", Zhao Wuniang image clear change period. Before Beijing Cardiff, Zhao Wuniang is a "Xiaofuhe" image. Chen Zhao Wuniang to famine, let her eat a few meals with their thin porridge, eat bran. Cai Powu thought five niangs alone in to eat rice, wronged five niangs and resolve misunderstandings later, five niangs not only did not feel injustice but also appealed to parents quarrel. When her mother was the chaff to choke that bran to swallow, five Niang eat bran the move shows more heavy color of filial piety. When parents have died, five Niang was shouting "Bo Jie, you come back, you come back." So far, Zhao Wuniang presented to the audience is a filial piety, virtuous women image. After Beijing, Zhao Wuniang "jour" image gradually manifested in the "filial piety Palmer scene", five Niang way: "pa of filial piety, filial piety Palmer, the kilsorrow million hate evil heartache. This is a man to death, filial piety eyes not closed, this is the mother of filial piety, name children go home early. This filial piety handkerchief soaked in blood and tears, this filial piety is stained with Chen Liufeng and sand. How to get this filial piety?" The mirror to take the filial piety PA, five niangs could not bear to see his face. "The creature in the mirror is afraid, like deadwood withered to flowers. The years of famine are reminders of the old, the misery of the misery of the cheek. Today is sapping the gaunt confidante, how and she Kanaya support fuguihua ", she blame Miss Cow" both married Lang Tsai Cai Fu. Why does not recognize his father and mother, both married Lang Tsai Cai Fu, why didn't allow him to go home; both married Lang Tsai Cai Fu, but why harm Lang Tsai. Students not to raise, the dead buried, put sackcloth, filial piety is not worn, Tianlun deficit. The reason there are poor, holding a handkerchief of filial piety to ask her ", which is five niangs resentment of their looks change, nor the son filial nail in the coffin of the resentment of her in laws, she has a grudge against Miss cattle, she thinks is Miss cattle delayed him home. In the library, five niangs and Cai Bojie meet, hearts resentment again: and said, "what the shame of face of the good wife, obviously high position and great wealth is difficult to give up. The pipa is heartless, ended up in a thousand Cardiff back to you. Wushirenfei acts of remorse, rather than waiting until you wish you white haired die of old age in the hometown ", and then anger broke the pipa, then five Niang hearts resentment reach perfection.
 
Nanxi "Pipa" in Zhao Wuniang is almost "filial women" and "woman" image is accompanied by. Before Cai Bojie went to trial, Zhao Wuniang have resentment. In the fifth, "Bo Jie couples were" Zhao Wuniang repeatedly to Cai Bojie expression of your heart "blame": "your dad, necessarily Hello partial, only a son in Shenpan. I'm going to talk to you. Hugh, he just said I don't want to, you have a crush on. Bitter! In the meantime how not sad?" [1] "my concubine, 10000, said to fear Tim entangles the trip. Sixty eighty year old couple owe the parents how to show off? Teach me how not to blame?" [2] in him to go after, in Zhao Wuniang in home to serve in laws this line is every drama has five niangs "resentment": in the ten out of "five niangs appealed to parents quarrel, at the beginning of Zhao Wuniang Jiudao:" long sigh, self pity unlucky phase predestination. Sufferings and later jiugu, thin lover son-in-law, "[3], but even their hearts have much resentment, see the parents quarrel, five niangs or to soothe. In the sixteen out of "five niangs please grain robbed" in, five niangs be cheated initiation "I it is a dead, here are wells, as investment in Wells died" [4] the idea, want toujing suicide but think Chou will therefore lead to a quick death, hence strong suppressed inner pain. In the 19th out of "Cai buries injustice five Niang", the 20 out of the "five niangs eat bran", and the 24th out of "five niangs haircut buy hair", five niangs showed the same resentment of his heart: kodo old parents would be in jeopardy, the Erlang to do not have. All the end of tears also dried up, submergence gas do know what day? The original or empty loess piles, who put a handful of slave bone mask?" [5] "even if die hard, teach people to hate Cai Bojie --- I have very hard feelings? Can't say I face son Huang Shougu such as wood." [6] "I think I have no good, and die! As for the hungry ghosts. In old age, I had to lean against dependence, live for. When all is easy, the end time is also difficult to get together. The rice bran were compared, it is its own people eat bran Wu, I know he is buried in the bones, where?" [7] in the five niangs sad, we see that it is through a suffering after another suffering, in her lament in can not see hope, showed five niangs to survive under the double pressure of external environment and internal psychological difficulties. Is in such a difficult situation, Zhao Wuniang but also restrain the heart of resentment and support parents in law in the round, the image of women of "filial piety" is highlighted.
 
Three, character image adaptation of thinking
 
The author thinks that the opera "Pipa" image of the Zhao Wuniang adaptation without the original opera "Pipa" to shape the Zhao Wuniang image bring audience shock is strong. First opera "Pipa" will Zhao Wuniang "the filial woman" image in the several typical plot to showcase, "jour" image only two scenes displayed and relative jour image is weakened. Secondly in Southern Drama PIPAJI Zhao Wuniang "blaming" do not have to pour out the object, she in resentment in the heart can not get rid of but brimming with bitterness and tears to dedicated to serve in laws of such state. In such a situation, visible the psychological pressure, and she was able to brimming with resentment to persuade the parents in law, eat bran, haircut sell visible the enduring character. "Filial piety of women" and "jour" image is the coexistence of the Zhao Wuniang forbear character can be shown, the Zhao Wuniang are suffering in the audience seems increasingly heavy, its image more deeply rooted in the hearts of the people. And in the opera "Pipa" "jour" image shape is arranged after enters the cow palace, she can in front of CAI Bojie, Miss Cow blame, her resentment there is talk to the object. And because the plot is actually in the audience heart early experiences of Zhao Wuniang produced sympathy, was also her filial piety touched, so at this time Zhao Wuniang "resentment" in the audience seems to be a long backlog in the heart of pain of normal vent, and can not fully reflect the tolerance of the character. Comparison of Nanxi "Pipa" created by Zhao Wuniang image character is more abundant, more persuasive.
 
[note]
 
Clever [1][2][3][4][5][6][7]: Pipa [M]. Money Nanyang school note. Shanghai: Shanghai classics publishing house, 1980:37, page 39, 72 pages, page 104, 117 pages. Page 118 and 121 pages
 
[reference]
 
A [1][element: Pipa [M]. money Nanyang school note. Shanghai: Shanghai Ancient Books Press.1980..
 
[2] of the Chinese Dramatists Association, Zhejiang small flowers Yueju Opera Troupe of film and Television Department: Opera TV art films, pipa, Hangzhou China classical opera [CD].: Zhejiang art audio-visual publishing house. 1999.
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