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Anti war views in the works of Yamazaki Toyoko war

时间:2021-08-09 来源:未知 编辑:梦想论文 阅读:
I. introduction.
 
 
 
After the war, Japan's economic recovery in the short term, so that the Japanese people gradually ignored the history of the past to reflect and accountability. Even some people think that Japan is only defeated, in the past, you can forget. Many Japanese popular writers believe that no matter how time goes by, the second world war is not erased from history, and many things related to the war is not over yet. Arouse people's consciousness, cause social reflection, and become one of the main purposes of their literary creation.
 
 
 
Japanese famous social fiction writer Yamazaki Toyoko (1924 -2013 years) at the beginning of the post-war literature creation, he wrote a total of 16 novels and 9 short stories. She experienced the Taisho and Showa and Heisei three period, youth was forced to suspend their studies, sent to Arsenal processing ammunition special wartime experiences she detested the war, has become the main driving force of her literary creation. In an interview with the general secretary Yamazaki, Hu Yaobang said: "the reason why I often have the end of the novel with the anti war thought, because I personally experienced the war."
 
 
 
So she in 30 began to text in the form of the indictment of war, most of his works permeated through the "against war" and "harmonious coexistence" thought, expression of discontent among the public, reveal little-known historical facts, mining is deliberately hidden event to become the civilian writer's mission. Therefore, she personally, take great pains to collect data, the career as a writer for nearly a quarter of the time for the creation of war related topics, brush strokes to the Pacific War, the atomic bombing of Hiroshima, Far East International Military Tribunal, the Kwantung Army defeat historical scenes, in order to lead readers to think: the war in the end is what?
 
 
 
Two "return" - Yamazaki's Anti War theme literature.
 
 
 
In Yamazaki Toyoko's anti war thought, is full of the Japanese national characteristic "to return" the element. "Return" this word, has very important meaning in Japanese culture. According to the "Canton speech yuan (Fifth Edition)", "return" the main meaning is (things or people) return to the origin or the original state. For ordinary Japanese people's religious beliefs, regardless of the cause of how brilliant, life is wonderful, mostly in the hope that roots. But because of the war, many people did not have such a happy ending, not coming home rankles.
 
 
 
Yamazaki cleverly using "return" of the element, the anti war thought into the work, guide people to the war the cruelty of consensus. The application of "return" has appeared in the early stage of its creation, especially the "development period" and "peak period", some of the works by the unexpected death of people as the end, to arouse the return of human nature. Such as "Medal of a woman" suicide Ting formula and the white towers "dead money in the first five Lang, reach a peak when the accident fall in business. They want to stand out in the fierce competition in the industry, but due to the persistent in money and reputation, gradually lose themselves, lose the nature of people. In the war trilogy Yamazaki will focus on the protagonist to return to their homeland, using realistic approach to the performance of the various characters of joys and sorrows, make the novel climaxes.
 
 
 
"Barren land" a Qi, in Siberia servitude that is not likely to return to Japan, repeatedly attempt suicide.
 
 
 
But reason finally beat the impulse, and he survived. 11 years later, he finally got his wish to return to japan. Although a meteoric rise in the Kinki and commercial, but to lead trading company is a dark horse jiliuyongtui when, because he is always thinking about who killed them.
 
 
 
Novel ending, after the resignation of a Qi took over "Boreas" the position of president, rejected the Akitsu Chisato on his feelings, he embarked on a solo flying to flights of the Soviet Union, to look for the Japanese to Khabarovsk, Yierkuzike bones.
 
 
 
"The plane continued to fly in the twilight, and the white earth continued to expand. In less than 1 hours, it will arrive in Khabarovsk. (omitted) I finally come, I wait -- Qi picked up on the seat next to the open white chrysanthemum held in front of the window.
 
 
Pale frozen earth, suddenly emerged out of this scene: a POW camp in the watchtower stands tall, in attacks in the cold wind, arranged in five columns of the Japanese prisoners of war from the front of the gate of the camp and starting to work. A (omitted) Qi face down big drops of tears."
 
 
 
"To live, to be a witness to history," was the voice of the late Segawa Osa. He had persuaded Qi no matter how cruel fate, have to live strong [2]. suffering a close call, according to common sense, people should enjoy life to the full back, but Yamazaki has set in, and this is contrary to expectation reasonable ending, took a bold Japanese postwar spiritual "death zone" through the eyes of the hero. People, see the changes in Japan 30 years after the war of the people inside, feel not the same as "war and peace". The hero archetype is more than Qi with similar experiences of people (Seto island dragon three, Soji Jungo, Suzuki Toshio, Yamazaki) their bitter past by weaving finally, condensed in a person. In other words, the embodied the is after the end of the war and the war of Japanese people suffering and sadness, let Japanese people again understand "no return" of the suffering caused by the war and to "return" precious.
 
 
 
"Two countries" and "the son of the earth" in the same war as the background, the "return" of the theme of the introduction of a deeper level. Although the outcome of the story is different, but the sense of belonging has become the same desire of many people.
 
 
 
The Pacific War, the Hiroshima atomic bomb explosion, the Far East International Military Tribunal and so on are many Japanese literary works appeared in the scene, if nothing new, the creation will enter the formula. In order to avoid modes, Toyoko Yamasaki has always been to seize the Japanese American this fresh known group description, mining, ordinary people difficult to detect, and easily filtered out by the society, persistent in their individual nervous and uneasy state of mind. In 1978, Yamazaki hired Hawaii State University to give lectures, during dabbled in the immigration history, Japanese shelter materials such as visits the many of the first generation and second generation Japanese American, listen to them tell experience. When that 120000 Japanese Americans after the attack on Pearl Harbor as a suspect locked deep in the desert of shelter, desolate feeling arises spontaneously. To this end, Yamazaki through the big scenes, multi-level, multi clues to lead to the topic, in a limited space, as far as possible to provide readers with information.
 
 
 
In the novel, Tenba Kenji Second Generation Japanese American non-stop conversion of their identity: captives from shelter to American intelligence staff, to the atomic bomb investigation team members and eventually become a monitor interpreter to the post-war international military tribunal for the Far East. Although the social status is higher and higher, but he was in a time of change in the role of the trust, the lack of a sense of belonging and security. In the judgment of the International Military Tribunal for the Far East read after, because of suspected of being unable to completely loyal to the United States he was to terminate as serving, transferred to the military railway transport firms. Long and stable Kenji physically and mentally exhausted, eventually in the land of Japan, throwing his old parents and young children, in the hall of justice before turning the gun on himself.
 
 
 
Another main line of "two China" is Tenba Kenji's younger brother, Tenba Yong. In the war, and in different times of their identity cognition vary: B of Tianyu father seven always think oneself is the Japanese; Kenji is of Japanese surviving attachment, the Japanese still with emotion; Yong, but firmly think he is the real citizens of the United States. However, the sense of belonging in the war has repeatedly been shattered in the war. As a native of the Japanese American courageous show loyalty to the United States, despite family opposition resolutely joined the U. S. Army War, 442 is incorporated by the Japanese, Hawaii, American troops. He fought on the battlefields of Europe, Li repeated military exploits. When the Germans surrounded by mountains in Germany and France at the junction of the U.S. 34th infantry divisions of the Texas brigade, the United States government to rescue tasks assigned to the 442nd troop. In more than half of casualties, supply shortage situation, Yong and troops finally broke through the siege, close to the Texas brigade. But the next scene makes him angry.
 
 
 
3 hours later, Yong et al (Tian Yu) back to the base, the team of 250 people left dozens of people. Texas group, where are you? We have come to save you! "Captain Mark's left arm bullet hit the blood sleeves. He shouted, the grass in front of the moving.
 
 
"Feed! Is the Texas battalion? Could not help but to "courage and the surrounding grass moving up, someone poked his head from the hole in the ground.
 
 
 
"Who are you? "Texas soldiers asked.
 
 
 
"We are the 442 army 36 division. "Ah"! "Little Japan (Jap) '!" a man climbed out from the cave, and shouted:
 
 
 
"Feed! You get out! " Little Japan 'to save us! "What" is "small Japan! We desperate to break through the enemy's siege to rescue you! However, the battle is not over yet. As soon as he proved his worth and loyalty to the United States, the grenade drew an arc and exploded.
 
 
 
Not! "Yong's body by the force of the explosion threw the air, he bellowed. [3]521-523"
 
 
 
Yong died in extreme confusion and grief, in his short life, the mood always hiding in the heart, make him not calm in the face of all. From which he can feel his longing for a sense of belonging, as well as how to have, when to have a sense of belonging to the anxiety. He tried hard to find it at all costs, but he didn't get it until the end of his life. Maybe some people will say, Yong died very sorry, because of his military exploits hehe, has received recognition of American society and accept. Just don't get the chance "enjoy" the "sense of belonging" brings happiness. However, through the experience of Koga Kenji can imagine, even if covered with scars of Yong in the post-war returned safely to he expects "motherland" -- after the United States, still met with scorn and hatred, the term "Jap" will be accompanied by the name of Japanese American life.
 
 
 
It can be said that, regardless of whether the Americans say exports, the concept of "Jap" has long been entrenched in their minds. Kenji suicide once again proved: to emphasize the "civil rights" in the eyes of Americans and Japanese American is just talking. In "two countries"
 
 
 
In the introduction of the English version, the editor of the Western perspective on the works are as follows: "Yamazaki Toyoko's characters suffer from the bias and suspicion of the pacific,...... The work guides the reader to think about the meaning of "patriotism". 25 years after the publication of the two country, the British version provided a valuable opportunity to learn about the postwar Japan and let us rethink the true meaning of the Japanese in the modern world.
 
 
 
The description of the 442 forces is based on the real historical data of the Second World War. The United States to avoid the pressure of public opinion, has never explicitly mentioned the relevant events. Yamazaki Toyoko has no fear of writing these events to the novel, so that readers can see the unknown bloody and brutal war, so that readers can truly feel the writer's strong sense of mission and sense of responsibility. The novel is named "two countries", one refers to the hero of the country - Japan, one refers to the growth of the host country - the United states. It will instead cause the question of the 3 generation of Japanese Americans, because in their hearts the motherland There's the United States of America, and loyalty to Japan is impossible. But as the work reveals that in the special period, they on the surface have "two of the motherland", actually homeless, even being arrested, imprisoned or exiled, regardless of how the United States loyalty, can not be fully integrated into the the society. The impact of the war on them will last for a long time.
 
 
 
And the two progenitor "than son of the great theme of the" return "of the expression more direct, more intense, orphans heart longing for" return "is touched Yamazaki is one of the important reasons. The identity of the protagonist is the postwar Japanese orphans, the duration of the Second World War, the cultural revolution, the diplomatic ties between China and Japan normalized, Sino Japanese cooperation in iron and steel plant project in different periods, to the hero "Hope" as the originator, through "return" of the to the ending of the "return", fully explains the return to the topic.
 
 
 
Works from the seventies of the 20th century in China, pen, with a flashback of the way, with the land heart (formerly: Matsumoto Katsuo) of the memory and tells the tragic experience. Before the war, loose the family by the Japanese government to incite, with pioneering group came to northeast of China, in the Japanese retreated separated family members, wins male was sold to the Chinese people at home. The young boy always with "return" thought, from the countryside fled, Lu Dezhi and his wife, renamed Lu Yixin. He is the adoptive parents influence, gradually realize the long lost sense of belonging. After the founding of new China, he was admitted to the University, in love with fellow students Zhao Danqing, but was hit:
 
 
After the Zhao Jiqi family learned that his Japanese identity, flatly broke up. The cultural revolution, but also to accept labor reform, feelings, cause the double whammy of, make him dejected, the heart has been heal the wounds began aching, again lose the sense of belonging. At this time in addition to his cause parents, female doctor Jiang Yuemei also gave his spiritual support. Jiang Yuemei later became his life partner, so that has been the lack of family, the lack of a sense of security once again feel the warmth and sense of belonging. After the cultural revolution, the heart was transferred to the Beijing Iron and steel company, his outstanding performance and joined the Communist Party of China, began a normal life. Novels so far, seems to be able to draw a successful conclusion. However, the ill fated hero in the Sino Japanese cooperation projects, but dramatically with the father Matsumoto Koji. Due to "internal data loss and other events was suspected of betraying the interests of the state, also because of his visit to time to rejoin repeatedly by the investigation, although the final truth, but to their physical and mental brought great pain. Although father repeatedly advised him to go back to live in Japan, but suffered all kinds of hardships, endured countless questioned after, he still decided to give up the affluent life of Japan, choose to continue with the adoptive parents, wife, daughter, in this piece of parenting the land of his live. In this way Yamazaki belongs to the re interpretation of the Japanese orphans the "return" of the precious.
 
 
 
At the end of the novel, 1985 Sino Japanese cooperation projects Baohua of iron after the ceremony, bent and father tour of the Three Gorges, in plowing time last time persuading the back to Japan, bent by King lyrics, in a subtle way say his decision.
 
 
 
To the Chinese, the Yangtze River is the mother river. From the depths of the river, the voice of praise to the Yangtze River, the soul of the soul has been integrated with the nature.
 
 
 
Eyes of one heart, tears, staring at his father's face.
 
 
 
"Son of the earth......"
 
 
 
One of the sounds of melting in the peak of the wind blowing, the song was surprised to turn around looking at.
 
 
 
"I am the child of this earth."
 
 
 
In the river and Rock Canyon, with a clear voice echoed. "Son of the earth......" This indicates that, with the Japanese father's departure, and the final confession of their own destiny. Matsumoto will look to the bank not to utter a single word. He knew that he and the earth in the growth of children between 40 years, there is a gap can not be filled [5].
 
 
 
Obviously, one has to give up this piece of land he for many years. For decades he and parents, wives and children of the family beyond the blood, transcending nationality. Although there are many dangerous shoals in life, sometimes life is hanging by a thread, but he never lost the love of the land and the people. Here, he found a man's dignity, the value of life and real sense of belonging. Therefore, he could face Yangtze River, facing the father from the bottom of my heart say "I is this piece of earth's children. Yangtze River into the sea, bent and tillage times again, to return to their real belong to own motherland end. As the last work of the "war trilogy", the ending seems to add a summary of the "trilogy": the war made all kinds of human tragedy, is the main source of the unfortunate life. War is cruel, it blocked all the family, friendship and love, the lack of these feelings, resulting in the life can not make up for the regret and memories of the haze.
 
 
 
"Son of earth" booklet are issued in 1991, when the 50 anniversary of the Japanese attack on Pearl Harbor and the Pacific War broke out.
 
 
 
However, human beings have not learned the historical lesson, there is still a large scale war - "the Gulf War", with the intensification of the war, a large number of refugees displaced, homeless. Son of the earth under the background of the international publishing, dare to face the Japanese War of aggression to the people of the world, the people of Asia and its own people bring untold suffering, sounded the alarm to the whole world, meaning far-reaching is self-evident.
 
 
 
In 1991, Toyoko Yamasaki to "careful, bold materials and rich the structure" [6] awarded Japan "the 39th Kikuchi Kan prize", fully reflects the works in the "return" of the elements is impress the judges and the reader is one of the important factors.
 
 
Three, "sorrow" -- the tone of anti war literature yamazaki.
 
 
 
The word "sad" means "sorrow" and "mourning" in modern Chinese. "Annotation" in a "sad" notes:
 
 
 
"Ai min, too. Min, hanging in the door, who say AI min extension." [7]
 
 
 
That is, "grief" in the Chinese meaning of the word is more inclined to the performance of "sad" or "hurt" feelings. But the Japanese "sorrow", meaning far than chinese. As interjections, explaining to a sense of physical and vocal and express his admiration, love, compassion, sadness and other deeply moved; as a noun, "sorrow" expressed was deeply attracted to the feeling, and feel so state.
 
 
 
In my Ancient Chinese Literature Search circles, many scholars through the "sorrow" to explore the essence of "sad". "Mononoaware" will be "sad" specific, "meaning" extensive and profound, its content "can be, can be natural objects can also be social world phase and worldly" [M ocean. Throughout the Japanese Waka "heart". "Sad" is Japan's unique aesthetic form, literary works "sad beauty" concept of art, this art form show incisively and vividly. In the description of war in person or thing, "mourning" and "Mononoaware" the emotional tone of the most appropriate.
 
 
 
Toyoko Yamasaki's early work rhythm more lively, rarely seen in the gloomy colors, character, cheerful, humorous, personal pride sense into one, describes the Osaka outstanding from the angle of appreciation, so that readers feel to Osaka unique Renqingshigu. Even the description of the death scene, the characters are also almost after the successful, fireworks, gather all the local grand died.
 
 
 
However, in the "trilogy of war" in the long process of writing, Yamazaki rarely feel happy, mostly spent in the reflection, the mood is always in the "sorrow" of the tone. In particular, the acquisition of a large number of information, to deepen her hatred of war and the sympathy for the victims. In the "war trilogy", and strive to create the atmosphere of pathos Yamazaki, with profound expression of "return" and "sad" theme. Many of these characters burdened with the shadow of war, to suffer in the war, parents, brothers, sisters, wives and children, friends have died; the post-war homes is devastated, Wushirenfei. Whether in peacetime career how smooth, memory still can not eliminate the war time in the face of death the pain of the past. Those who have loved but have gone, often as a ghost like emerge in front of them, so that they are extremely depressed. Even when the cause, love to the apex of the time, the heart will still pass through the shadow of death, unable to extricate themselves, can only struggle in the helpless.
 
 
 
This kind of "sorrow" and "Mononoaware" emotional tone with appreciation of Japanese literature habits and thinking mode of readers. In today's Japanese society an honest man repeated injustice, but the sleek prevails, so people are more likely to accept frustration, failure or weaker, more easily understood their mood and behavior. Here "object" is abstract can be summarized as "the turbulence of the society (external environment) and the resulting hero of misery". Therefore, Yamazaki by withering away of the "beauty" "cruel beauty" and other Japanese traditional literature art to express the "sad", direct and intuitive to tell "war"
 
 
 
This human tragedy, "Sadness" tone throughout the three works always. "Death zone" with nearly 1/10 pages, tells the hero during the war and post-war misery. Especially of Qi is as a prisoner of war in Siberia servitude of detailed description, to get the whole works of rendering the atmosphere extremely grave. The opening of the two countries "is beyond people's mindset, to still life description way to outline the" Japanese American shelters desolate scene, tells the story of the protagonist's misfortune, the slightest sadness and sorrow linger in the hearts of readers.
 
 
 
"Here is the Arizona desert, only to see the sun and sand.
 
 
 
The deep blue sky people feel Song Li, here is the endless desert, could not find a trace of water. Close to the ground to grow grass and shrubs such as no green Tieshu, almost dry. (omitted) - in the desert where the birds are unable to live, there is a strange sight.
 
 
 
Surrounded by barbed wire, of which a group of people, their static stand watch tower under, in front of the muzzle of the heavily armed soldiers, naked queued up. This is the desert camp between Arizona and Mexico, the Japanese American population is naked. Since December 7, 1941, the Japanese attack on Pearl Harbor, they were arrested and detained as enemy citizens. " Hello! Little japan! Don't move! "The American soldiers will muzzle them and roar. They were divided into 5 columns, each column of about 3, 40 people. At 43 degrees Celsius in the summer by naked standing all the evaporation of sweat already, back sunburn. All this is due to the loss of a spoon. [3]7-8"
 
 
These Japanese American mostly live, grow in the United States, only because of the Pearl Harbor incident was detained in the desert, lose the freedom and the dignity of the person. This encounter in itself questionable, and inventory tableware for less a spoon, he was said to is in violation of the prohibition of private with metal "regulations, punished without dignity, resulting in their hearts can not erase the shadow. This is the tragedy triggered by the war, but also the hero of the tragedy of life. This humiliation prompted et al Tenba Kenji hope by working for the United States to win the trust and dignity, but the outcome is to make every effort to has not received any recognition, after the loss of affection, love, even the least human rights are unable to obtain. The final choice of Kenji downhearted towards his trigger. At the end of the work to the protagonist's suicide, make readers of "Ai" mood increasingly high, inspire readers to war of deep thinking.
 
 
 
In the heart of the general reader, death is the limit of "sorrow". But Yamazaki has the courage to break through the limit, the portrayal of the "more painful than death" characters, through "Qiusibuneng" to show the pain of the inner world of the characters. Tenba Kenjishang can use suicide to release the backlog of pain, but when this agent is the only medicine can not get, the character of the heart of the pain is unimaginable. The barren land, and Qi are being escorted to Siberia to servitude, at first to return to have glimmer of hope, but with endless long-term hard labor, he found the dreams have become unreachable, only quietly waiting for death to come. So when encounters coal tunnel collapsed in the accident, he flatly give up the survival of will, quietly closed eyes, waiting for death to come. However, the companion pulled him back from the dead line. A rebirth is Qi instead of joy, but very regret:
 
 
 
"This time it's not dead. In the future will continue to be regarded for the Korean people, there is no hope to return to Japan, only to the Siberian custody the identity of the prisoners survive... A Qi in pain curse my destiny "[9].
 
 
 
At this point, to overcome the "Sadness" only rational. The use of a soldier is Yamazaki Qi identity and strong personality, with the help of "landscape discovery", showing the hero's inner activities. When all the return to calm, he finally understood the meaning of his "live".
 
 
 
"At this time, the ink stained with the sky one shot a white light, suddenly bright up. (omitted) aurora will Arctic sky dyed colors is becoming more and more magnificent, like a rainbow curtains sways in the air. From the seven color light, a voice echoed in the ears of a Qi. " To live, to be a witness to history. "This is Kawatani Osa's exhortations, as the sound came from the air. A Qi with sound to look up in the sky, secretly swear: in the future, whether there will be how cruel fate waiting for me, to live back to the motherland ".
 
 
 
Dark is the symbol of Qi state of mind, but neither in inward how dark, there will always be a ray of light guide along the direction; darkness seemed to herald the hardships of his future life on the road, but in front of a certain will have colorful light. Of course, the choice of "living" means to continue to endure suffering under the weight of a huge sense of guilt, but "life" is the only choice at the moment. Readers can feel Yamazaki Toyoko's intentions: whether it is a country or a person, in the face of grave suffering, escape is not a way, only the rational face, is the only way. More importantly, the public should play a subjective initiative, through a variety of means to transform the community, take the initiative to avoid a repeat of the disaster. Sublimation of perceptual consciousness to rational thinking is one of the distinctive features of "war trilogy".
 
 
 
Basically, the protagonist of the trilogy in relatively positive image, which inevitably ignored the description of the inner world of the protagonist of the critical, easy to produce sympathy of readers, involuntarily think the protagonist's actions are for the right path, even of war criminals are held with emotion, which is contrary to the historical facts and the author's original intention. In Japanese society at that time, "weak people if you want to keep your job even to climb, have to bite the bullet, self sacrifice to coordinate social relations, is in a dependent relationship in the struggle of typical". Although they suffered the pain of war, but if the understanding of the characters is too ideal, pure, will misunderstand Yamazaki's creation to.
 
 
 
Four, the "anti war" of Japanese literature.
 
 
The so-called anti war thought, in a broad sense, is a kind of attitude or thinking against war, love peace. After the Second World War, the Japanese literature in many writers creation theme directly touch war, battle scenes, military life and post-war scene description and created many, forming a certain scale war "Scar Literature". However, in Japanese literature whether there truly "Anti War Literature", is always a problem of Japanese literature in China in the research community has long been a controversial. The focus of the debate is mainly focused on the creation time, content and social influence of the work. Have scholars believe that the post-war Japanese literature of the war was to expose and criticize, "the Japanese War literature, not the general concept of war literature, it is not limited to military theme, also includes a description of the war to the people's hearts leave trauma, war, cruelty and suffered atomic disaster, a wide range of content, has a strong anti war colour. One of anti war literature is an important content, is reflects the war made adult psychological trauma ". And some view is that:" after the war Japanese literature the lack of introspection and repentance "[12] in a war of aggression," in the war are not anti war, is not real anti war; not in the war in the writing and publication of 'anti war literature', is not strictly in the sense of 'anti war literature'.... After the war of aggression against China, Japan did not have the so-called 'anti war literature' '' 'or' anti fascist literature '. This is one of the special characteristics of modern Japanese literature [13].
 
 
 
The debate on whether there is anti war literature in modern Japanese literature or the continuing. However, we should see, at the end of the war in the past 70 years, Japanese literature indeed appeared in such a group of Writers: first, they experienced the war, the war is still in infancy or adolescence, even if the heart is full of confusion about the war, are not independent from the anti war voice; secondly, they do not avoid war, care about people or things related to the war, with the rising, began on the nature of the war; third, their works to reveal and expose the way, breaking the usual thinking, people is no excuse to cover up, evade the crucial point, "to awaken people's sense of self, which has a certain role in promoting" [14]. to improve the Japanese national anti war consciousness
 
 
 
As a female writer, Toyoko Yamasaki dare to swim against the stream, through the theme first of progressive layers, grand historical background of the fresh individual description, expression anti war ideas. On the one hand, she insisted on the Japanese ruling class to complain; on the other hand, she hopes to wake up the people through the text, to understand the root causes of evil. Whether these works belong to the anti war literature in the true sense, the anti war characteristic is quite obvious. From the time point of view, although the related works created in after the seventies of the 20th century, but full of feeling of revulsion against war, search of a cure for the avoidance of war, to promote exchanges, so as to maintain the world peace. Combined with the actual situation of the creation technique so lifelike works, the war scene description is no longer a pen skip, but from the front were delicate and detailed description. In contrast to his earlier works, war in the story not only act as a background of the times, but in form of a variety of topics throughout the entire. Characters also gradually from away from the battlefield of ordinary people change into active duty soldiers, veterans, war criminals from the Second World War, Japan orphans and other war in a variety of roles. With the improvement of personal experience and creation level, Yamazaki became aware of the war to the Japanese people and the people of the world brought grave disaster, which in his works embodied as anti war consciousness has gradually increased and the anti war thought is mature with each passing day. These events and lessons are written in the form of literary works, which is the responsibility and mission of the common people.
 
Thus it can be seen that there is a certain degree of anti war thought in Japanese literature, which includes not only the content of war and peace, but also the reflection on the behavior of Japan's foreign expansion. This kind of anti war thought was not formed under the historical condition at that time, but after the war, it was gradually mature, with a lag. If the thought of anti war in the war before the outbreak of the war or the formation of a flood, maybe it will affect the war. But at the time of the emperor system of Japan, even if some people are strongly opposed to war, there is no corresponding social environment. We should be under the premise of adhering to the principle will these works carefully classification, positive attitude to give related works of understanding, both literary translation and literary criticism, and try to find work in clear direction and enlightenment function, certainly the avant-garde and experimental. And give sufficient time to maximize the social effects of these works. Because many of these works are recorded in the text, are to escape the war responsibility of the people who want to try to cover up. Through literature communication can at least in some extent help Japanese readers to get rid of the fixed mode of thinking, face the Japanese pain and heavy in the past, thus through the perspective of individual independently explore the truth of history, reveal the panorama of the war, to reflect on past mistakes and prevent the tragedy from happening again.
 
[reference]
 
[1] Yamazaki Ko. "Lice" kind of nursing at instructor Hu Yaobang [A]. of the earth "and" / / private. Tokyo: the spring and autumn of literature and art, 1999:85.
 
[2] Yamazaki Ko. Barren zone (four) [M]. Tokyo: shinchosha, 1983:621-622.
 
[3] Yamazaki Ko. Analysis of the motherland two (on) [M]. Tokyo: shinchosha, 1986:521-523.
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